War In Flesh teaser #WarInFlesh #InTheFlesh

In The Flesh Cover Art

In The Flesh Cover Art

In The Flesh Cover Art

Work on the sequel to In The Flesh is moving along. Yes it is slow going. I’m not one of those authors who can just crank out hundreds of pages without a thought. In point of fact I’m realizing that my creative process takes a lot of thought and a lot of processing. I have to think the whole thing though before I can begin to write it. I have ideas and then need to play with them to see how they fit into the narrative. Sometimes they don’t and then I have to, in the words of Stephen King, “kill my darlings.” I also have my bs detector set to 11 apparently, so a lot of things I like don’t fit well into the story line and I have to set them aside. I will share the following teaser of a part of a chapter that I’ve written for War In Flesh for your enjoyment but I make no promises that it will survive the multiple editing passes in this books future.

Nevertheless, please enjoy:

War In Flesh

Copyrighted material, all rights reserved

Thousands of miles north of Antarctica, beyond the shining jewel of Ce Acatl, just inland from the coast of the long narrow island that is all that’s left of what was once the northern continent a battered, almost broken antenna picked up the weak signal. Ancient relays came reluctantly to life and deep below the surface lights began to flicker as emergency batteries sacrificed what little power they had left.

On the surface a mere handful out of dozens of hidden hatches opened through the debris that buried them. Up through the hatches solar collector arrays slowly surfaced. It took days for them to collect enough power to begin the power up sequence in deeply buried scientific research stations.
Subterranean bunkers long buried by the movement of earth and nearly flooded by raising water tables slowly revealed themselves to sporadic lighting. Sump pumps groaned and kicked on draining stagnant water where it stood in deep pools on the floors of the lowest levels. The scent of mold filled the dead air.

Slowly, one by one in the high tech labs computers came online, waking from their sleep state as the power came back up. They had been kept alive in a low power state since the cataclysm so long ago. Fans started to move and with them slow air currents began to swirl through the underground complex of labs and offices. Vats filled with nutrients far past their best by dates began to grow bodies, following centuries old routines.

Some of the cylindrical vats failed to come online. In a sub-basement some of the computers shorted out, falling to a combination of moisture and nibbling rodents that had encroached over the long years. Others powered up and began growing things even before the injectors inserted the organic material intended to be grown in them. Somehow their sterile interiors had been breached by microorganisms during their long dormancy.

The laboratories were climate stable by virtue of being so far beneath the surface. In such a protected place the denizens of caves made their home, just as they would any natural cave system. Bats found their way into the upper level. Mountains of guano became nourishment for cockroaches and other crawling things. Heavy, sealed bulkhead doors kept larger things out of the lower levels but were little barrier to microorganisms.

Weeks passed while the sump pumps and fans worked. Often they had to shut down to conserve what little power the solar collectors could provide. Every system in the buried complex was designed to protect the computers first, even the electrical system. With the emergency batteries dead and not enough power coming from the arrays to recharge them, if that were even still possible, the other systems regularly idled so that what power there was could be diverted to the computers.

Eventually the pumps got the floors dry and the fans refreshed the air, opening vents to the surface when what humidity and moisture sensors that remained permitted.

In the cloning vats things grew.

This is but a snippet, gentle reader, that I hope you enjoy. I have all of the ideas in place now and just need to see how they will hang together. Things always change as I write them and what I envision when I start out is rarely what the final tale is. Characters will do what they will and I am often just telling their story they way they would have me tell it. K.

Jeremy Webster of F5 Reviews In The Flesh for The Geek Girl Project

Check out this review of my novel by Jeremy Webster, who reviews movies for F5 and books for The Geek Girl Project. Here’s an excerpt:

Much the way Stephen King’s The Gunslinger told a dark fantasy tale by dressing it up in spaghetti western characters, costumes, and settings, much of Zolnoski’s science fiction debut comes in a shell of adventure fantasy, particularly in early, action-heavy setpieces involving a long, arduous escape from enemy armies and pursuing predators dense in a seemingly endless forest region, and late in as the novel’s protagonists set to sea in a steampunk-style sailing vessel to contend with sea monsters on their way to their fabled destination.

But to assume the work to rest on something as mundane as rescuing the girl or saving the world from the latest watered down wannabe Sauron or Morgoth is not what Zolnoski had in mind. A reader and fan of classics of the science fiction genre for most of her life, Zolnoski carefully weaves in plot elements involving issues such as sociology, relative ethicality and morality, ecological stewardship, and even innate species memory.

As Zolnoski approaches the novel’s climax and conclusion, the work begins to take on thematic elements of it being merely a tiny, but crucial, moment in many such moments leading to these events throughout history, many of which were either pre-ordained to occur or optimized on a statistical plausibility of occurring. Such is the sort of storytelling arc conceptualization we saw with Asimov’s Seldon crisis concept throughout his Foundation series, and the millennia-long genetic breeding programs eventually resulting in Paul Atriedes in Frank Herbert’s Dune series. Zolnoski works with the conceptual brain food of the classics, while delivering it in a package of epic fantasy adventure.

Zolnoski’s prose is largely fluid and easily accessible and her characters are interesting and relatable. They tend to be somewhat archetypal of their various specialties in interest in skill, but this is hardly a detraction to the proceedings as the novel itself justifies why they function in this way. A strange way to relate this notion, I know, but readers will know exactly what I mean when they experience the novel themselves.

Check out the whole review at The Geek Girl Project.

Also the novel is available through iTunes as well as Amazon. Best way to find it on iTunes is to type in: Zolnoski.